The Ugly American

Ugly. The ugly American. Heard of it? It has been some time since the read and even longer since I have heard a reference to it but I find myself using it more and more. Why? Simple. The novel gives us a meme for its time and it sends a lasting message.

The Ugly American expects everyone to act and everywhere to be just like everything he knows.

Think about it. The stranger in a strange land. Not Heinlein or Iron Maiden. Not the Alien.

but close.

What's that you have there, pal?

The teacher, like the student, brings to the classroom every experience they have ever had. And let us be honest, it is much easier to force those in your care into shining metal boxes. So much easier to push, file, stamp, index, brief, debrief, or number than to plan, listen, adapt, rewrite, prepare, adjust, learn, flex, redirect, and so on.

It is important that we acknowledge who we are and what we bring to the situation so we may set it aside and teach from a more neutral space. Not everything that we teach requires connection to our own lives. It does not need to be shown through our lens nor does it require a frame in order for appreciation to occur. Surely, our desire to explain and expound–to mediate through language–often reduces experiences.

I am reminded of my time standing for hours at the edge of the Grand Canyon. In my life to that date, I had never witnessed so much nature and expansive views at one time and decided to spend my afternoon in one spot to take it in rather than to keep moving with a group who had ventured down into the canyon itself. For one rare moment I was without words as every descriptive I could access seemed inadequate. A gentleman walked up beside me. He sighed. His arms folded and unfolded. His limp hands slapped against his thighs as he let them drop. He looked directly at me for a minute or more before he said, “Isn’t it just neat?”

Sigh.

Assessment Pt. 2: Problems of Scale

Measurement is a curious thing. Everyone is talking about it. A lot of people are doing it. With all that talk and all that measurement, it causes even more people to do it. I mean, it must be important, right?

Contagious shooting.

Offsides. They jumped first. We all jumped.
Strong words. Actions. Open doors. Imply permission.

Just don't.

Buzz. Some are testing because everyone else is doing it and they do not know why they are doing it themselves. It is contagious and it is killing us.

There are a few problems that are typical of assessment culture. They differ in severity. Jim Croce used to talk about causing trouble in Chester, PA where they would cut you four kinds of bad: long, deep, wide, and often. Who would think that I would ever talk about assessment and Jim Croce in the same paragraph? I like Jim Croce. I like assessment. I do not like the abuse of assessment and data. It gives an essential part of education a bad name. Yes I said essential. When it is done well and done correctly, it is good stuff. Don’t mess around with Jim. Errr, Slim.

The effect of non-educational and non-assessment pertinent information on our students is referred to in the testing field as “unintended consequences.” We need to consider them. Seriously.

1. Long
Rather, length. Any assessment that causes the facilitation of learning to be interrupted is too often long and disruptive. It is important for the assessor to consider what is actually being tested when distributing a test with 120 items. My first assumption is that they are assessing attention and fortitude. Stubborn constitution? While it may be clear to the test creator that each of these items has a clear purpose, I pose this question–has the need for coverage been obscured by the other challenges that are presented before those questions are asked?
The length of a test is one of the first things that a student checks when it is delivered to their desk. Flip through and count the pages. See if they are multiple choice, short answer, long answer, or essay. Matching? True/False?

2. Deep
It is often that the coverage of an assessment is haphazardly accounted for by length. Oops. Depth of an assessment can be addressed with a shovel or with a scalpel. Do you investigate like an excavator or a surgeon? While there are several questions that could get to the bottom of a student’s understanding of a novel, mathematical concept, or science theory; is it possible that there is one question that could be used to demonstrate understanding of the larger constructs? The answer is usually yes and the rationale that is usually defended is depth.
When quality inquiry includes necessary skills, we begin to scratch the surface of depth. A complex skill often trumps less complex skills–not always the case but often the case. You have heard the saying, “You have to crawl before you can walk.” If your child went straight to walking without crawling, would you intervene? Neither did I. It is not a completely common phenomenon but it happens and aside from toddler locomotion, there are not really any good reasons to crawl. Either way, I would bet that you could learn it later.

3. Wide
Breadth of assessment is key. It probably means something completely different than what you think, though. The wideness of assessment does not have to include every aspect of what is being taught. Variations in the width of coverage is often a factor of interests that our students have that either narrow or widen their take on the material. That is fine.
As educators, we must widen our assessment in order to provide every opportunity for our students to demonstrate competence and understanding. If this goal is achieved by one student through a presentation and another through various and typical testing procedures, why should that prove an issue?
BECAUSE in college, they will get scantron tests so they need to get used to it!
That is not a reasonable answer. I do not care who says so, either.
If you want students to get better at scantron tests because that is what they will encounter, that is fine and in some contexts a reasonable goal. There is, however, no reason to restrict a student in their demonstration of competence and understanding in the process.
You will often hear about differentiated instruction but I am telling you that the need for citizens of our age is to be given the opportunity for differentiated assessment. You see, differentiated instruction is an appealing concept but its goals are achievement on typical assessment procedures–if you teach them differently, they will all be able to achieve in the same way!
No. The teaching is probably not the issue. I will put myself out there and say that you are probably a good enough teacher. It is more likely that a student is capable of demonstrating understanding in a way that is not being assessed.

If I hear “they know the material but they cannot pass the test” one more time I will scream. Twice.

4. Often
The frequency of assessment is not simply a problem of testing too often. It is also a problem of failing to assess often enough. Notice that I am referring to testing specifically and assessment in general. The “movement” to get rid of testing and assessment and measurement and grades aside, please understand that we are constantly assessing, judging, and measuring. After all that we act, stop acting, or change the methods and manner of acting to meet the assessed need. If you want to attach a letter, number, or whatever to that–fine. Do not think that by doing away with scantrons, letters, and numbers that you have put the assessment monster out of the room. It is still there. Boo.

Ecological validity is an issue that is at the forefront of research these days. Developing methods of observation and assessment that fit and make sense in the context of the learning scenario can be challenging. Is it possible to measure some aspect of learning within the context of that learning using tasks that make sense within that domain? If not, that is an issue of ecological validity. Think about the NFL combines that are used by professional teams to assess the viability of future draft picks. These sets of skills are supposed to be indicators of the athletes’ ability to do well in an NFL game. We know, though, that the only way to know if an athlete is capable of playing professional football is to have them play professional football. Ecological validity.

Slightly more than a rant.
Pt. 1 coming soon!

Yeah, Jim got his hat.
Find out where it’s at.
Not hustlin’ people strange to you.
Even if you do have a 2-piece custom-made pool cue.

The Myth of Reflection?

Think…

Do you believe that you are capable of objectivity?
Do you believe that you can answer that question objectively?

Reflection is something that is expected of the educator. Expected to the point that it may be impossible. For the most part, reflection is discussed more than it is taught. Discussed far more than it is genuinely practiced. I have to confess, I hear an awful lot of talk about being reflective but I hear very few people talking about how to reflect. And I hear even less people challenging one another on their reflection. Not to encourage impolite behavior or being impolitic, but it is necessary that we seek a common understanding of practices that will save our professional lives.

What is it? Is it a unified concept? That is to say–does it mean the same to everyone? Have we reached consensus?

If we are to develop as professionals through the use of reflection in a meaningful way,
then reflection must be a singular sensation.

Quick, what's the square root of a gross?

Think about it. If green is not green to you, but it is green to me, is that a problem? Really? You see, if you are color blind, green is still not a problem. We tend to think narrowly about that, do we not?
We think–how will you know whether to stop or go at an intersection?
But then we realize that knowing the color doesn’t affect whether we know the light on the bottom from the light on the top.
Color blindness does not make one less capable despite what fashion decisions may be made.

If we are going to engage in reflection, we have to take purposeful steps to take myth out of the process. Here are a few tips to get you started.

1. Plan ahead based on the type of activity.
You need a point of departure. Write a list of hypotheses, questions, or even opinions you have about your own approaches to teaching. Select which ones belong in each context. This will become your Inquiry Checklist. If you are introducing new material you may have different items than a session based on exploration or review for a larger project or assessment. Do you think that you are great on your feet? A whiz on the fly? What are some of the things that would support that belief? Some teachers think that they are very positive in class–do you? Are you? Maybe you’d like to know how many positive or negative statements you make in a session. Are you a great facilitator? What do you do that supports that belief?

2. Keep your scope narrow and rare.
Answer just a few questions per session. You will find that you could be overwhelmed with your actual performance. I also recommend that you do this full process, at most, four times each school year. Aside from the amount of time it will take to do this responsibly, altruism is at a premium.

3. Bring a friend.
There is no way to do this while you are teaching. However you choose to assess, recalibrate, and redirect activities in class is simply your teaching practice. It is your professional activity–do not let this become your only indicator of your success. Act natural and do your thing. Set up a camera in a hidden place with a good view of the room. Do not tell your students about it. Want to add to the excitement? Have a colleague do a walkthrough with one, two, or all of the items from your Inquiry Checklist. Invite them to stay for a set period of time or the whole period but decide that ahead of time.

4. Document before the big reveal.
As soon as you are able, debrief alone. Respond to your prompts as honestly as you can. Do this before you view the video. Do this before you schedule time to listen to your colleague. This is an important step in the process because it will allow your reflective process to calibrate–helping you to develop some inter-rater reliability with your subjective mind.

5. Prepare to be non-plussed.
When you have your own reflection completed, sit down with your colleague and listen. Let them tell you the story of what they saw in your classroom. Allow them to tell you what they think you were trying to accomplish and their impression of good, bad, and neutral activities by you and your students. Did you add to learning or confuse? Did you jump in or change gears too soon? Was it paced well? It is important that you create the type of atmosphere that allows your colleague to be honest. Some of their input may be challenging. Do not allow yourself to explain or justify. For the colleague, this is the second time through but for you it is the first. Let it sink in and settle.

6. Make decisions.
When this whole process has run its course it is time to make decisions. My advice is to limit yourself to one or two changes that you think are most important to the classroom. Some suggestions that I have made or heard from colleagues:
Let information breathe–do not jump in too soon;
Give students more time to think before you speak;
Model risk taking and mistake making;
Sit on the floor–change levels, not just placement in the room

The greatest myth of reflection is that is can happen alone.

Dancing about Architecture

Long before Martin Mull was featured in beer ads he was a stand up comedian. You know the kind. He went on tour, made live albums, and probably even appeared on the Merv Griffin show. It was way back then when he gave us this oft-misquoted insight:

Writing about music is like dancing about architecture.

Since then, this quote has been usurped by educator and commentator alike who then accredited it to some other source–which may explain the career path of Martin Mull. The first noun has, for the most part been swapped out with everything you can imagine. By those who wish to elevate the mysticism of their chosen content area.

What, me worry?

My question is why do this to dance? Or to architecture? Is dancing about architecture so absurd? I would put it to you the reader that you would rather see me dance about architecture than write about most things. And you know what, it might be good. Think about it. I’ll get my shoes.

In the meantime, we may consider what this type of colorful language means to us in the real world. It causes me to think of those crackpot beat writers who seemed to have a knack for pairing words–Burroughs’ Naked Lunch for example.

I fear that we have lived and are living scripted lives. 

So many digest what is provided with aplomb and grateful for it. Where are the questions? Where is the critique? As a seasoned skeptic and developing curmudgeon, let me tell you that nothing strikes my ire–gets my Irish up (trite)–more than someone who jumps in with both feet (trite) and gobbles up a presentation hook, line, and sinker (trite). Nothing. Nada. Zilch. Nunkus. Nunguna. Goose eggs. I feel, sometimes, like the only sober man at a party. Are you people serious?!

It is one of the reasons that I cannot bring myself to write a book. You see, the researcher must always provide the experts to support assertions by way of citations and references. Their data is subject to evaluation and review by anyone once published. The author is assumed the expert in the content and does not have those same responsibilities to the reader. The reader may even quote prior works of his/her own catalog for support–an honor I thought reserved for the pope.

I close urging a more skeptical approach and an avoidance of the fold-out dance steps that you lay on the floor to learn to move the way others have–be it about architecture or otherwise. Stay away from those overused expressions, myths that perpetuate only in educational examples, and phraseology that serves no purpose to expand the mind and enhance the beauty of our expression. Do something new. Think differently.